Rainy Landscape with Travelers

Rainy Landscape portrays two fishermen making their way across a bridge and into a mist-wrapped mountainous forest, the scene saturated in deep washes of blue and grey that make the very air feel damp and cool. Kim Su-gyu captures a moment of humble, unhurried life — ordinary men returning home through the rain with their rods, the mountain world swallowing them gently, as his own inscription tenderly narrates: rain clears and brightens a thousand mountains, men in straw coats return with fishing rods.

In a home, this work brings a quality of rain-washed serenity, scholarly intimacy, and quietly soul-nourishing calm. Its deep blue and grey palette wraps a room in a mood of reflective coolness — like the feeling after a long rain when the world is clean and still, filled with a melancholic tenderness that is deeply comforting rather than sorrowful.

It is a perfect fit for Korean-inspired, wabi-sabi, or contemplative minimalist interiors — spaces layered with celadon ceramics, dark wood, hanji textures, and objects chosen for their quiet meaning over decorative noise. It would feel most luminous in a study, a serene bedroom, or a meditative living corner where the art is not merely seen but felt — a piece that rewards stillness, and grows more beautiful the longer you sit with it.

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Size

Print Material*

Print Quality (A2)

Print Material*

Print Quality (A1)

Print Material*

Print Quality (60X80CM)

Frame Options*

Frame Options (A2) (FINE)

Frame Options*

Frame Options (A1) (FINE)

Frame Options*

Frame Options (60X80) (FINE)

Frame Options*

Frame Options (A2) (CANVAS)

Frame Options*

Frame Options (A1) (CANVAS)

Frame Options*

Frame Options (60X80CM) (CANVAS)

Size

Print Material*

Print Quality (A2)

Print Quality*

Print Quality (A1)

Print Quality*

Print Quality (60X80CM)

Frame Options*

Frame Options (A2) (FINE)

Frame Options*

Frame Options (A1) (FINE)

Frame Options*

Frame Options (60X80) (FINE)

Frame Options*

Frame Options (A2) (CANVAS)

Frame Options*

Frame Options (A1) (CANVAS)

Frame Options*

Frame Options (60X80CM) (CANVAS)

Total: $36.69

ESTIMATED TOTAL COST: SGD 181.24

ABR offers free shipping on all products over $100 and will arrive within 14 days of purchase.

ABR Frames are standardized at 3CM as well as an additional 5CM thick mat installed around the image. Hence your framed painting might look bigger than you anticipated. A good rule of thumb is to add 16CM to your length and height of your chosen size. For more on Frames & Mat, click here!

ABR only offers 2 selections of print materials (Fine art + Canvas) because they are the best of the best quality. We will recommend certain materials for certain artworks but rest assured that they are of top quality regardless. For more information about the print materials, click here!

MEET THE ARTIST

Kim Su-gyu

Kim Su-gyu was a Korean painter active during the late 18th to early 19th century, in the latter period of the Joseon dynasty (1392–1910). He remains one of the more quietly mysterious figures in Korean art history — only a handful of works bear his signature and seals, and what little is known of him comes from a brief entry in Geunyeok seohwa jing (1917), the standard reference on Korean painters and calligraphers, which simply notes that he “excelled in painting.” metmuseummetmuseum Despite the scarcity of records, the works attributed to him reveal a painter of considerable sensitivity and skill, working in the tradition of East Asian ink landscape painting with a distinctly Korean sensibility. His compositions favour atmosphere over drama — rain-soaked mountain scenes, solitary figures moving through nature, and poetic inscriptions that deepen the mood of each image. He signed his works using style names, most notably Hwalhoja and Sa-ik, as was customary among scholarly painters of the period. metmuseum Kim Su-gyu’s surviving works, though few, speak to a refined artistic voice — one that finds quiet poetry in ordinary moments and handles ink and wash with a lightness that feels both meditative and deeply human. His obscurity only adds to the contemplative quality of his art, the work of a man who let his brush speak where history has stayed largely silent.

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